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Musik ini mulai masuk ke Indonesia tepatnya di Malaka. Walaupun masa jaya Portugis mulai melemah di Indonesia, musik ini tidak lantas hilang begitu saja. Para budak di Maluku kala itu mulai menyerap musik tersebut dan memainkannya di daerah mereka.
precisely the same work was finished by Didi Kempot and Koko Thole who has provided new colour to “keroncong” songs. They built attempts to unfold “keroncong” new music to an array of society and in addition acquire the music itself.
Pada masa itu, para pegiat musik Fado harus menyanyikan lagu-lagu mereka di dalam Gereja Protestan dan secara tidak langsung nada yang biasa mereka gunakan pun berubah menjadi mayor.
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The power of economic funds, the superiority of engineering, along with the sophistication of selling floor down more info classic songs. This paper tries to investigate the “keroncong” audio in Indonesia that will nevertheless be taken care of or popularized through many approaches and by earning a suitable media of promotion for example via television and radio to ensure Culture are familiar to “keroncong” tunes.
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Sampai saat ini, musik Keroncong masih terus diperjuangkan oleh beberapa musisi agar eksistensinya tidak kalah tertimpa oleh jenis-jenis musik lainnya.
Akar dari Keroncong ternyata sudah masuk ke Indonesia abad ke-sixteen dan dibawa oleh para pelaut dan budak kapal dari Portugis.
Singkat cerita, pada tahun 1880 lah musik Keroncong baru benar-benar hadir dan dikenal sebagai identitas musik dari Indonesia.
The emergence of “campursari” in the nineties, pioneered by Manthous, introduced an influence of curiosity and became a magnet for admirers and activists of “keroncong” and traditional songs so that they respect the music and many teams of “campursari” tunes that's rooted from “keroncong” grew.